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The Barber of Seville (play)
''The Barber of Seville or the Useless Precaution''〔http://oll.libertyfund.org/index.php?option=com_staticxt&staticfile=show.php%3Ftitle=1562&Itemid=27〕 ((フランス語:Le Barbier de Séville ou la Précaution inutile)) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as a comic opera, and was rejected as such in 1772 by the Comédie-Italienne. The play as it is now known was written in 1773, but, due to legal and political problems of the author, it was not performed until February 23, 1775, at the Comédie-Française in the Tuileries. It is the first play in a trilogy of which the other constituents are ''The Marriage of Figaro'' and ''The Guilty Mother''.
Though the play was poorly received at first, Beaumarchais worked some fast editing of the script, turning it into a roaring success after three days. The play's title might be a pun on Tirso de Molina's earlier play ''El Burlador de Sevilla'' (''The Trickster of Seville''). Mozart wrote a set of 12 variations, K. 354, on one of Baudron's songs, "".
== Synopsis ==
The story follows a traditional Commedia dell'arte structure, with many characters seemingly based on famous stock characters. The plot involves a Spanish count, called simply The Count although "Almaviva" appears as an additional name (whether it's a given name or a surname is not clear), who has fallen in love at first sight with a girl called Rosine. To ensure that she really loves him and not just his money, the Count disguises himself as a poor college student named Lindor, and attempts to woo her. His plans are foiled by Rosine's guardian Doctor Bartholo, who keeps her locked up in his house and intends to marry her himself. The Count's luck changes, however, after a chance reunion with an ex-servant of his, Figaro, who is currently working as a barber and therefore has access to the Doctor's home. After being promised money, and afraid the Count will seek revenge on him if he refuses, Figaro devises a variety of ways for the Count and Rosine to meet and talk, first as Lindor, then as Alonzo, a fellow student of the same music master, Bazile. The story culminates in the marriage of the Count and Rosine.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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